Megan Curran

This was an enormous endeavor- it featured not only the entire village but their creature counterparts. This was a tag-team sequence between myself and another supe; he got it going and I got it through the finish line. Not only was this sequence complex due to the density of characters, it was near and dear to the director’s heart, so it had to be just right.

This one was a beast- but one of my favorites because we meet so many new characters. Figuring out the staging of the blended performances was tricky- contacts, eyelines, and timing were all over the place and required a lot of creative solutions to resolve.

This one was a lot of fun- and also my first sequence as a supervisor.

This sequence proved challenging because of re-writes and restructures that needed to be sewn in, and quick. There were a lot of technical hurtles with the water constraints (how our characters and creatures interact with the water), but the effort paid off. I was so happy to have such an emotionally charged scene- my favorite kind.

I love this one- pure teen angst with some romance. This sequence had to be presented in four different environment options, with twice as many lighting variations- each one needing different background elements to find just the right tone. Even a simple sequence can get complicated on Pandora!

A deleted scene of mine that was released as part of the Special Features. This clip shows what our templates look like prior to finalization at Weta.