• Scene planning and Previz: “Oner,” or no cuts style shot planning. Choreography needed to be physically achievable for the actors and the camera operator. Conceptualized shots in Maya or Motion Builder, then rehearsed and refined the choreography with our previz actors in preparation for principal shoot.

  • Virtual Camera Operator: Worked alongside cast and stunt teams operating the virtual camera during principal capture shoots.

  • Camera Cleanup and Animation: Refined the camera data to tighten compositions and timing, clean up slips and bumps, animate camera moves that were not physically possible to do, and applied depth of field.